Thursday, December 5, 2024

【黑色月光】/ "Darkside of The Moon" 观后感:剧情可圈可点,演员各有亮点


起初会想要看这部剧主要是为了杨茜尧,因为当她还在TVB的时候就已经挺喜欢她的演技。对故事内容其实只略微了解为复仇剧,也大概知道主要演员有谁。

当开始看这部剧时,我其实有点讶异。故事的内容和人物设计似乎跟某一部韩剧十分相似,所以我有点怀疑是不是有抄袭的疑虑。直到后来上网找了一下资料才发现原来此剧是摆明“参考”【黑色荣耀】/ "The Glory"的,难怪相似度这么高也没被非议。因此严格来说这应该不是那部韩剧的正式授权港版,比较贴切的形容词是“inspired by”而不是“remake of”。

个人认为,复仇剧一般最精彩的部分通常是复仇的过程,真相或幕后黑手虽然重要但很多时候没有抽丝剥茧和正邪对立的情节来的精彩。就这部剧而言,我觉得过程比结果好看。正义得以伸张的结局虽算意料之内,但就坏人没有得到真正应有的惩罚这点的确不太满意。除此之外,过程中有些不太合理的部分也会让人容易出戏,比如把复仇对象的资料和照片不贴在墙上反而贴在落地玻璃窗这点就怪怪的,就算住在高楼层难道不怕外面的人看得到吗?要复仇却没有隐瞒身份或改个名字就去接近仇家,难道没想到对方会有所防范吗?还有,置入性行销也做得有点不自然,故意拉长close-up的时间太刻意了吧!

其实故事中的幕后黑手和动机在很早的阶段都是呼之欲出的,所以悬疑度不算高这点也降低了真相揭发时的惊讶程度。考虑到这部剧的主题是复仇而不是悬疑,看剧时可能需要调整一下心态,把重点放在过程而不是结果,要不然可能会感到失望。

对于演员们的表演,大家都各有亮点,也有惊喜的部分。杨茜尧在前半部把亦正亦邪的Moon诠释的很到位,到后面差点要完全黑化的挣扎也挺有看头。林夏薇把卓慧云的前后阶段表现的有层次,到了后半段真是让人咬牙切齿。杨与亲姐姐杨卓娜一同演荧幕姐妹颇有新鲜感,看着看着也容易投入。就连一向来演技稍显生硬的黄翠如(纯属个人感想)这次的内心戏着实让我惊艳。所以就算对剧情没有完全满意,演员们的表现却成功为剧集扳回不少分数。

Tuesday, December 3, 2024

Thoughts about "The Trunk" (트렁크) - A slow burn and intricate love story hidden beneath a crime suspense facade


Potential spoilers ahead!

The way this drama was advertised prior to its release, most, if not all would probably think that this is a crime suspense story. In fact, the trailer seemed to talk more about the suspense part i.e. an expensive-looking trunk in question surfacing from a frozen lake with a dead body rather than the romance developing between the lead characters. As such, that was what got me intrigued and curious about this drama at first. Of course, the fact that Gong Yoo and Seo Hyun-jin's visually-pleasing and refreshing combination was a plus factor too.

As it turned out, the crime suspense aspect was more of a backdrop rather than the main theme. Even the title hardly figured in the entire storyline other than the beginning and the end of the story so it made me wonder if the scriptwriter had suddenly remembered the trunk and deliberately mentioned it again towards the end. Much as I could see why there was a need to refer to the trunk for the romance aspect of the story, the way it was slotted in felt somewhat unnatural. Moreover, the process to solve the murder case wasn't that engaging nor challenging so it did feel a bit underwhelming. If you are intending to watch this solely for the suspense, you might be disappointed in this regard.

While I usually shun love stories in case they get overly unrealistic, cringey or sweet, the romance in this drama was surprisingly grounded in reality despite the far-fetched and extreme settings. Having a company specialising in brokering fake spouses on short-term contracts, an ex-wife arranging such a marriage for her ex-husband with ill intentions, an ex-husband accepting his ex-wife's "kind" gesture begrudgingly or a woman becoming the rental wife for multiple men while pining for her missing ex-fiance - these are interesting premises but unlikely to see in real life. However, the depiction of what went right and wrong for the key characters in their love lives wasn't unimaginable and at times quite relatable. The downside to being so detailed and emotional at times was that the pace of the developments may be a bit too slow to stomach for the impatient.

If not for the fact that the leads were Gong and Seo, I think I might not have finished this or liked the story. While the crime suspense part of the story didn't wow me, their acting and great chemistry on screen made the romance a lot more bearable and very enjoyable to observe from the sidelines. To be honest, I don't think that Jeong-won and In-ji were necessarily the perfect match for each other but the fact that they had some history between them way before the arranged marriage probably helped to create this impression that destiny was at play here. And since they were in an emotionally-detached state at first, they didn't see each other as romantic partners and began interacting as housemates to become soulmates and romantic partners. Perhaps this progression path was what helped them to connect more naturally and gradually as compared to Jeong-won and Seo-yeon who probably started off on the wrong footing. That partners-in-crime thing when they were kids or that they were leeching off each other to feel more complete just felt wrong in many ways.

I also liked the fact that there wasn't a standard formula-type of happy ending because it was definitely for the better that their characters Jeong-won and In-ji had to deal with their own issues and live well first before embarking on the next relationship. At the very least, the story dangled the possibility of them being together in future so there is still some room for imagination for those hoping for happily-ever-after.

On the other hand, Jeong-won's relationship with his ex-wife Seo-yeon provided a lot of highly-charged angst and drama because they were essentially two flawed and broken people trying to seek fulfillment from each other albeit unsuccessfully. The issue was, they never seemed to connect emotionally so they couldn't come clean with each other on what they wanted or could provide to the other party. It might have been easy to blame Seo-yeon at first for her drastic behaviour but Jeong-won also had a part to play in driving her to the extreme. One thing led to another so it became difficult to say who was more at fault in the end. Conversely, Jeong-won's obsession and clinging onto Seo-yeon even after the divorce was largely due to his personal insecurity and childhood trauma although she also fanned his insecurity with her actions. They both needed to get away from each other in this very unhealthy relationship and might not have been able to do so if not for the entry of In-ji as an unexpected factor.

Then again, I am also not convinced about Seo-yeon wanting to extend her contract with her fake husband - I just didn't get the same inkling that she was as emotionally invested in the relationship as compared to him. It felt as if the story wanted to have a happy ending for her as well.

The set design and scenery featured in the drama also deserves special mention for the aesthetics and accentuating the atmosphere and vibe of the story. Jeong-won's huge house but with a cold and empty feel and the wilderness of the freezing lake where In-ji is in her kayak on her own provided a nice contrast with the warm and fuzzy feeling created by In-ji's ex-fiance's apartment filled with his belongings and their happy memories and the scenes where Jeong-won and In-ji enjoyed each other's company. 

Since I think that the drama has probably tied up all the loose ends, I personally don't think that a sequel is needed. While I don't mind seeing Gong and Seo in another collaboration, it's probably unnecessary to come up with a sequel just to offer a clear-cut explanation of whether and how Jeong-won and In-ji end up together or not.